As early as twelve years ago, GVL began to move its business with performers into the digital realm. This transformative process has been applied to all of GVL and impacts on our daily business.
Apart from international gigs the festival also offers a number of events on exciting contents for international trade visitors. From 21 to 24 September, in the course of 130 different sessions, talks, networking events and interviews about twelve topic groups, 350 speakers and presenters provide insights into the current challenges and issues with respect to live entertainment, recorded music, media and journalism, among others.
Overall, Guido Evers and Dr Tilo Gerlach, Managing Directors of GVL, give a positive review for 2022 and the COVID-19 times: “We managed to yield satisfactory results in the third pandemic year running. Furthermore, we navigated GVL through these changing times with economic success and achieved historic maximum levels for our payouts. At the same time, we used this special phase to significantly develop from a technical and organisational perspective.”
As early as twelve years ago, GVL began to move its business with performers into the digital realm. This transformative process has been applied to all of GVL and impacts on our daily business.
Jenny: GVL takes an important step in the direction of a paperless collective management organisation by opting for the new online rights administration agreement. Rights holders now have no longer paper in their hands, the entire process has been digitised entirely with the new rights administration agreement.
These days, collective rights management also means that huge data volumes must be processed.
For GVL, the answer is a clear yes. After all, it means that we managed to finally dissolve the long backlog that we had for years when it comes to the final distributions. And for our rights holders, it means they get paid more quickly in the end.
“Musicians without borders” is a global network of creative music projects which intends to enable people to access music, in particular to learn how to play an instrument, irrespective of their backgrounds, and to thus use the power of music for social change.
From 21 to 24 September, the Reeperbahn Festival opened its gates in Hamburg again. Apart from a plethora of live acts firing up the audience, music business players met to discuss their most burning topics as part of a comprehensive conference programme.
