Overall, Guido Evers and Dr Tilo Gerlach, Managing Directors of GVL, give a positive review for 2022 and the COVID-19 times: “We managed to yield satisfactory results in the third pandemic year running. Furthermore, we navigated GVL through these changing times with economic success and achieved historic maximum levels for our payouts. At the same time, we used this special phase to significantly develop from a technical and organisational perspective.”

As early as twelve years ago, GVL began to move its business with performers into the digital realm. This transformative process has been applied to all of GVL and impacts on our daily business.

As early as twelve years ago, GVL began to move its business with performers into the digital realm. This transformative process has been applied to all of GVL and impacts on our daily business.

This distribution relates to sound recording productions in the years 1963-1967 whose term of protection was extended from 50 to 70 years. In this distribution, contributions from the years 1965 to 1967 are remunerated the first time.

As provided by law, GVL passes on 20% of the sales income from 2016 to 2018 to the contributing musicians who do not receive any licence payments.

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A few days ago, the new rights administration agreement has been published on the GVL website. What does this mean for GVL and its future rights holders specifically?

Jenny: GVL takes an important step in the direction of a paperless collective management organisation by opting for the new online rights administration agreement. Rights holders now have no longer paper in their hands, the entire process has been digitised entirely with the new rights administration agreement.