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GVL forwards international remuneration to performing artists

GVL distributes around 1.3 million Euros in this quarter, mainly from France, Austria and Japan. In total, we forwarded slightly more than 10.2 million Euros to our entitled performing artists from 26 different countries in 2024.

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GVL distributes international funds to Producers.

The remuneration for this distribution round for our producers comes from Belgium, the Netherlands, Sweden, Finland and Spain. From the UK, we were able to distribute remuneration from the MTV group of channels for video clip broadcasts for a third time this year.

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Associates‘ and Delegates’ Assembly met in Berlin

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Traditionally, the course for the coming year is set at the November meeting of the Associates‘ and Delegates’ Assembly: In addition to project and budget planning for 2025, this time the preparations for the Rights Holders' Assembly and the

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Together 18 per cent: the music industry ecosystem is growing

Berlin/Hamburg, 25 November 2024 – ‘The music industry grows and makes others grow’ – that is the core message of the 2024 Music Industry Study. The first results on the economic performance and significance of the music industry as a whole were presented and discussed in September as part of the Musikdialog Hamburg. The final report of the study, which has now been published, shows that In the music industry, everyone grows together – because the positive trend in the overall figures is reflected in every single sub-sector.

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The GVL at the ‘DDEX Plenary’ 2024

As a member of the ‘Digital Data Exchange’, GVL has been actively working with other leading players in the music industry for many years to exchange information more efficiently along the entire value chain.

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German National Library now collects digital music

From this year onwards, it will be possible to use the DDEX standard ERN to send a standardised publication notification for digital releases to the German Music Archive (Deutsches Musikarchiv, DMA). As a department of the German National Library (Deutsche Nationalbibliothek, DNB), the DMA explains that the automatic delivery currently mainly affects labels and music distributors that are able to use the DDEX standard ERN. In particular, the DMA sees technical challenges for freelance performers and smaller independent labels.

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GVL at the Most Wanted: Music in Berlin

Is your music going to be played on the radio (soon)? Then it's time to join GVL as an artist or label. That's because we make sure you get paid for it! In our session, you can learn more about GVL, the principle of collective rights management and exactly what GVL takes care of on your behalf. We will also explain how you can best register your productions with GVL and what else you should know.

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GVL signs ‘Statement on AI training’

GVL supports the call for regulation of generative AI formulated by Ed Newton-Rex. The short and clear statement warns of the consequences for the livelihoods of all those creatives whose works are used without permission as the basis for AI models. Unlicensed use would have fatal consequences for the economic basis of creatives and their partners.

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Organizer's final distribution 2020 has been made.

Event organisers with remuneration can now find their individual distribution results for the final distribution 2020 in the my.gvl portal.

Based on the current planning for the final distribution 2021, we have set the deadline for contributions for this usage year of event organisers to June 30, 2025. The final distribution 2021 will take place in the 4th quarter of 2025, further regular distributions for the years 2022 and 2023 and the initial distribution 2024 will be completed in June 2025 according to current planning.

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Performers: Final distribution 2020 started

With this final distribution, GVL concludes the distribution for the usage year 2020. All funds, including provisions, that are available to us for this year will be distributed.

In total, around €20.2 million will be paid out in the final distribution for 2020. 170,872 performing artists participated in the distribution. These are all rights holders who have reported their contributions to used productions by the deadline.

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