We are pleased to report that we were able to increase the average allocation rate for 2020 to 96.44 percent with the final distribution due to further repertoire registrations and additional conflict resolutions.
The Young Euro Classic (YEC) is a festival of the world's best youth orchestras. In its 25 years, it has established itself as an important platform for young international orchestras. We spoke with festival director Dr Gabriele Minz.
GVL distributes around 1.3 million Euros in this quarter, mainly from France, Austria and Japan. In total, we forwarded slightly more than 10.2 million Euros to our entitled performing artists from 26 different countries in 2024.
The remuneration for this distribution round for our producers comes from Belgium, the Netherlands, Sweden, Finland and Spain. From the UK, we were able to distribute remuneration from the MTV group of channels for video clip broadcasts for a third time this year.
Traditionally, the course for the coming year is set at the November meeting of the Associates‘ and Delegates’ Assembly: In addition to project and budget planning for 2025, this time the preparations for the Rights Holders' Assembly and the
Berlin/Hamburg, 25 November 2024 – ‘The music industry grows and makes others grow’ – that is the core message of the 2024 Music Industry Study. The first results on the economic performance and significance of the music industry as a whole were presented and discussed in September as part of the Musikdialog Hamburg. The final report of the study, which has now been published, shows that In the music industry, everyone grows together – because the positive trend in the overall figures is reflected in every single sub-sector.
As a member of the ‘Digital Data Exchange’, GVL has been actively working with other leading players in the music industry for many years to exchange information more efficiently along the entire value chain.
From this year onwards, it will be possible to use the DDEX standard ERN to send a standardised publication notification for digital releases to the German Music Archive (Deutsches Musikarchiv, DMA). As a department of the German National Library (Deutsche Nationalbibliothek, DNB), the DMA explains that the automatic delivery currently mainly affects labels and music distributors that are able to use the DDEX standard ERN. In particular, the DMA sees technical challenges for freelance performers and smaller independent labels.
Is your music going to be played on the radio (soon)? Then it's time to join GVL as an artist or label. That's because we make sure you get paid for it! In our session, you can learn more about GVL, the principle of collective rights management and exactly what GVL takes care of on your behalf. We will also explain how you can best register your productions with GVL and what else you should know.
GVL supports the call for regulation of generative AI formulated by Ed Newton-Rex. The short and clear statement warns of the consequences for the livelihoods of all those creatives whose works are used without permission as the basis for AI models. Unlicensed use would have fatal consequences for the economic basis of creatives and their partners.
