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Performers: Start of subsequent distributions 2021-2023

In this distribution run, GVL is distributing a total of €13.6 million in additional payments to performers and their legal successors for the years 2021 to 2023.

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Producers: Distribution of sound recordings completed

As announced in the 2025 distribution plans, GVL has completed the above distributions today.

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GVL distributes international funds to performers

This time, we are distributing a total of €2.8 million to our eligible performers, mainly from Switzerland, Austria, Italy, Hungary and Spain. A third of the funds distributed come from our German-speaking neighboring countries alone. For the first time, our eligible musicians will also benefit from remuneration from Lithuania, thanks to the bilateral agreement with AGATA signed in 2024.

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GVL launches new settlement portal for private radio broadcasters

Ein pinkes Rechteck.
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GVL Distribution Plan 2025

The distribution dates are continuously being finalised. We regularly inform rights holders about all distribution-relevant news on gvl.de and our social media channels. The following graphic shows GVL's distribution plans for 2025.

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Season's Greetings

The GVL will be closed from 21 December 2024 to 1 January 2025 due to the holidays. We will not be able to answer calls or e-mails during this time. Of course, you can still write to us. We will be back to our usual services on 2 January 2025.

You can also find help with submitting reports in our manual or in the FAQs.

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Producers: Final distribution started in 2020

We are pleased to report that we were able to increase the average allocation rate for 2020 to 96.44 percent with the final distribution due to further repertoire registrations and additional conflict resolutions.

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‘A fresh cell therapy for the audience’

The Young Euro Classic (YEC) is a festival of the world's best youth orchestras. In its 25 years, it has established itself as an important platform for young international orchestras. We spoke with festival director Dr Gabriele Minz.

GVL: This year you celebrated the 25th anniversary of the Young Euro Classic. The festival is extremely well received by the Berlin audience, which is spoiled by world-class orchestras. How do you explain this enthusiasm for young talent?

 

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